Wikipedia, normally a reliable first-stop-shop for information, judges Feng Shui harshly, calling it a “pseudo-science” before going on to say, more factually, “The term feng shui literally translates as “wind-water” in English. … The feng shui practice discusses architecture in terms of “invisible forces” that bind the universe, earth, and humanity together, known as qi [chi]. Historically, feng shui was widely used to orient buildings—often spiritually significant structures such as tombs, but also dwellings and other structures—in an auspicious manner. Depending on the particular style of feng shui being used, an auspicious site could be determined by reference to local features such as bodies of water, or stars or the compass.”
Feng shui in the West has a distinctly New Age “spiritual” flavour and seems to have lost touch almost entirely with its origins; but its origins are the folk wisdom of people who observed nature closely for their very survival, and I wondered whether those foundations could be retrieved and applied here in Townsville in the twenty-first century. Continue reading “Feng Shui in the Australian tropics – does it make any sense?”
Festival 2018 seemed to come to us from nowhere and in retrospect we’re still not sure whether that was because we weren’t paying attention or because it was poorly publicised. In any case, it was a week of concerts, dance performances and public art in Queen’s Gardens and Strand Park, complementing the Townsville segment of the Commonwealth Games.
The concerts – some free, some not; some in the Spiegeltent, some in the open air – included The Idea of North (last here in 2006), the Grigoryan brothers, Archie Roach, local youth dance and circus groups, Townsville Guitar Orchestra and many more.
The Queens Gardens site was decorated with hundreds of hanging stars, very pretty at night, but the street art at Strand Park made better photos:
We all know about recycling, re-using stuff which might otherwise have been thrown away (and we all know that there is no “away”, don’t we?) and “upcycling” is the next refinement of the idea. Many of my favourite examples are in the arts and crafts area – Waste to Wonder‘s inner-tube jewellery, for instance – but the National Gallery of Victoria’s Triennial (Dec 2017 – April 2018) had some extreme examples.
Dutch design studio Formafantasma exhibited several pieces of furniture created primarily from tech waste, such as the computer-case drawers at left.
Their design and construction was superlative, and I enjoyed their quirky decorative use of small items of tech junk.